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Museum conservators face a persistent tension between preserving an object's original material and ensuring it survives for future generations. Restoring a damaged painting, for instance, might involve removing old, yellowed varnish, but conservators must judge how much of the artist's original layer lies beneath before proceeding, since aggressive cleaning can strip away genuine pigment along with grime. Textile conservators similarly avoid harsh stain removal that risks weakening delicate fibers, sometimes choosing to stabilize rather than fully restore an object's appearance. Modern conservation philosophy generally favors reversible interventions, meaning any added materials, such as adhesives or fills, should be removable later without damaging the original object, allowing future conservators to apply improved techniques as they become available.